Description: What if you could alter the way your camera sees? Actually change the RAW image at the capture level? We aren't talking about applying a preset in place just to play with sliders until you are happy. 3D LUTS change the image's starting point. You can now start with new color infused shadows. Begin with highlights and tones pushed beyond your camera's abilities and your editing software's capabilities. Where would you take an image that began where you always wished it could? 3D LUTS's are like capturing an image at the RAW level with an advanced color grade. Welcome to our reimagined LUTs for Capture One Pro. We started by designing these color profiles in a very powerful 3rd party LUT designer and then formatting the cube files to work with Capture One Pro, allowing you to begin your editing from an entirely starting point. Although you will find the LUTs under the user styles menu, they act in a completely different way. No sliders will move, none of the program settings will change like they do with presets, but everything will look different. We have designed these profiles to have four different starting strengths available for each LUT, you can push your images intensity to the extreme or give it a soft kiss of colors. From there, you develop like you always have tapped into the raw power that Capture One brings to the table. So the only question that remains is, are you ready to start with a new beginning? These 3D Luts for Capture One Pro Reimagine everything! The Master Collection combines the following packs with 4 different strengths each giving you 400 LUTS: Candy Cigarettes, Cocaine Roller Derby, Daily Bread, Monochrome, Northwest Haze, Psychedelic Shores, Rosemary, Silver Screen, Sterling, and Vintage Brooklyn. These 3D LUTs were made to work with a specific type of image, and some actually cross over to work on a wide variety of image types. This extremely diverse pack of 3D Color Profiles gives photographers, retouchers, art directors, and artists the ability to easily create powerful looks and color grades at the RAW level, to help achieve their creative vision with great detail, depth, and speed. The color grading profiles were created using 3D LUT Creator, targeting colors as well as different levels of saturation and luminosity. With creative profiles you can now do your color grading first, before the cleanup, dodge & burn, frequency separation, and other general retouching work traditionally done before the color grade. Required Software: Capture One Pro Link: https://proedu.com/products/master-collection-100-3d-lut-profiles-for-capture-1-pro Download: Hidden Content: **Hidden Content: Content of this hidden block can only be seen by Gold Members(click for instructions) after they click 'Like'.**
How To Use 3D LUT User Styles in Capture One Pro with Commercial Retoucher, Earth Oliver https://www.youtube.com/watch?v=LiRlrDgO3FU
Probably just a marketing pitch bc I have been working with CaptureOne for over 15 years and Never heard that they could use LUT's, which are usually for Video. CaptureOne uses their own style/preset type file.SO I doubt you can use LUT's. They are actually used as ICC profiles apparently, Never actually tried it...
They don't. ProEDU used a LUT-Creator package as a base (and with modifications) tweaked them to accommodate the then-present limitations of CaptureOne. They present as "styles" at a nulled (defined) point and named accordingly [albeit this is simply hyperbole-speak because ya gotta give it "some" naming structure]. What I don't understand is why one would start with the "Lut" style prior to working the image as usual traditional workflow (or it may simply fly against the grain of established habit). I guess the options to have an abundant assortment with an end-goal of establishing individualism is noteworthy, but damn - you're better off getting your head wrapped around a good course in color theory fundamentals first. Few opt to do this and simply go for the path of least resistance with empty promises of presets and styles that are named (for the most part) fantastically void. This isn't to say one cannot define their own "look" using these - but ya need a fair core understanding of color management and knowledge of what's best to apply to a specific shoot. And furthermore - specific to CO - there are limitations of even using these because of layer options (or lack thereof). There might be a work-around if one decides to additionally add PS to the workflow - - - but, what the hell . . .
Gold Mirror here until OP can provide repost - Hidden Content: **Hidden Content: Content of this hidden block can only be seen by Gold Members(click for instructions) after they click 'Like'.**
