Gold CinePrint35 Film Emulation PowerGrades

Discussion in 'Photo/Video LUTs' started by salleno, 15 Aug 2024.

  1. salleno

    salleno Legendary

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    [​IMG]
    CinePrint35 Film Emulation PowerGrades for Davinci Resolve


    CinePrint35 is a collection of PowerGrades for Davinci Resolve that allows filmmakers and colorists to accurately recreate 16mm and 35mm celluloid film looks. The PowerGrades were developed by Los Angeles based cinematographer Tom Bolles following an extensive camera test of various film stocks and digital cameras shot in January, 2023. The film was developed and scanned at Fotokem, the very same film lab that all major productions shooting on film in LA go to, ensuring the photochemical & scanning color science of the emulations is of the highest, industry standard quality.

    CinePrint35 includes 16mm & 35mm presets of 3 different film stocks, while the node trees remain fully customizable to suit the needs of any project.

    CinePrint35 Film Emulation LUTs

    Included are the 500T, 250D, and 160T film emulation LUTs (at x65 and x33 resolution) with individual versions specifically designed for the color science of the following cameras & log profiles:
    • ARRI LogC3 cameras
    • Apple Log (iPhone)
    • Sony S-Log3 cameras
    • Blackmagic Design Film Gen5 cameras
    • RED IPP2 Log3G10 cameras
    • RED IPP2 Log3G10 (Komodo tuned)
    • Fuji F-Log2 cameras
    • Canon Log 2 cameras
    • Panasonic V-Log cameras
    • Rec.709 non-log footage

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  2. notforme004

    notforme004 Silver IV

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    Leaked already
     
  3. Snook

    Snook Master

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    Where? Let @george know... Most likely one of the 6 people here if it was just leaked after this post..
     
  4. Snook

    Snook Master

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    Love these, Only problem I have is that with my Sony Cameras, The Oranges always turn really really Red. Some colors like Oranges and Magentas are already difficult to control with Sony, but with these Let's and power grades the Oranges turn Completely Red no matter what I do...
    Wondering if anybody else has noticed this? I am referring to Orange Clothing or solid color of any kind.
     
  5. kullumphoto

    kullumphoto New Member

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    I agree I was grading with my friend Sony fx30 clips and magenta tones was difficult
    It's a dream with my fujifilm clips
     
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  6. memememe

    memememe New Member

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    the only work around for me with this is to to do pre conversion changes, so they are much less destructive, also what helps is decreasing the density, most film creators over exaggerate the redness by increasing denisty.
     
  7. memememe

    memememe New Member

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    what i mean by pre conversion is, that i change my reds before the are fed into cineprint, i take the reds and move them to more and more orange, so that less of it is affected, I find this to be far less destructive just like with highlight recovery you would put the node as the first node
     
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  8. memememe

    memememe New Member

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    can you reupload? it doesnt download and keeps giving errors
     
  9. salleno

    salleno Legendary

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    It's working...
     
  10. foot

    foot New Member

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    Thank you
     
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