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Done 12 Audio Masterclass courses

Discussion in 'Audio Requests' started by anonzzz, Sep 23, 2018.

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  1. anonzzz

    anonzzz Moderator

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    12 Audio Masterclass course modules at http://audiomasterclass.com

    Your twelve course modules...
    The Audio Masterclass Music Production and Sound Engineering Course starts with studio setup and a basic recording of speech. It continues through microphone selection and placement, through equalization, compression and effects, all the way to final mix and master. The course concludes with making an industry-standard CD or DVD showreel to promote your professional career.

    All of your Practical Assignment Projects are assessed by Audio Masterclass (Included in assessed versions of the course).

    Module 1: Analog & Digital Audio
    Analog audio: signals, frequency response, noise, distortion, wow & flutter, clicks and interference. Digital audio: analog-to-digital conversion, sampling, quantization, dither, digital-to-analog conversion. Sound isolation: sound isolation methods, practical sound isolation techniques for home and small recording studios, vocal booths. Acoustic treatment: background to room acoustics, acoustic treatment, porous absorption. membrane and panel absorbers, diffusion. Recording studio configuration: recording room, control room. Introduction to essential audio electronics.

    Module 2: Microphones
    Principle of operation: dynamic, capacitor, piezo, ribbon, electret. Polar patterns: omnidirectional, cardioid, supercardioid, hypercardioid, figure-of-eight. Interference tube microphone. Parabolic reflector microphone. Multipattern microphone. Phantom power, pad, high-pass filter. Microphone techniques: microphone selection, positioning, stereo microphone techniques, coincident crossed pair, near-coincident crossed pair, ORTF, spaced omni.

    Module 3: Microphone Preamplifiers
    The need for microphone preamplification, microphone input, line input, instrument input, principle of operation, transistors, vacuum tubes, the need for balancing, transformer balancing, electronic balancing, working with balanced and unbalanced lines, preamplifier operation, gain, output level, phantom power, phase, pad, high-pass filter.

    Module 4: Equalization
    Types of equalizer, graphic EQ, parametric EQ, console-style EQ, filters, low-pass filter, high-pass filter, band-pass filter, all-pass filter, notch filter, filter parameters: cut-off frequency, slope, equalizer parameters: frequency, gain, bell/shelf, Q/bandwidth.

    Module 5: Compression
    The need for compression. Dynamic range control. Subjective enhancement. Compression parameters: ratio, threshold, attack, release, knee, stereo link. Operating principles: variable-mu, FET, diode bridge, optical, VCA. Side chain principles and operation: de-essing.

    Module 6: Recording Software
    Disk recording principles. The disk recording medium: rotational speed, seek time, fragmentation, input/output assignment. Recording, editing and crossfade editing, gain change and normalization, mixing, inserts, auxiliary sends, auxiliary tracks, busses, faders and master fader, levels, decibels, dB and dBFS, headroom.

    Module 7: Effects & Plug-ins
    Delay, single echo, spin echo, spin echo with positive feedback, reverberation, acoustic and electro-acoustic reverberation: chamber, spring, plate, tape, digital, algorithmic reverberation, convolution reverberation, phasing, flanging, chorusing, pitch change and correction, harmonic generation and aural enhancement, comparison between manual effects, hardware effects and plug-ins.

    Module 8: Synthesis & Sampling
    Types of synthesis: additive, subtractive, FM, wavetable, physical modeling. Subtractive synthesis components: voltage-controlled oscillator, voltage-controlled filter, voltage-controlled amplifier, envelope generator. Sampling: looping, multisampling, phrase sampling, key groups, velocity layers, mute groups.

    Module 9: Recording Techniques
    Vocals: microphone selection, microphone positioning, acoustic screens and vocal booths, foldback, headphone types, use of headphone amplification, loudspeaker foldback, how the engineer monitors foldback. Drums: drum set up for recording, microphone selection for drums and cymbals, single microphone technique, twin microphone technique for basic stereo, the 'Recorderman' doubly-equidistant two-microphone configuration, the 'Glyn Johns' method, full individual miking with overheads. Acoustic guitar: microphone selection and positioning. Electric guitar, piano, string instruments, wind instruments, percussion instruments, small groups and ensembles, orchestral recording. Session management for ensembles, orchestras and choirs. Multitrack recording. Studio setup, foldback, monitoring. Compilation, punch-in. Production techniques for vocalists and instrumental performers.

    Module 10: Mixing
    Analog mixing consoles: overview, channels, groups and sub-groups, master section, VCA faders. Console monitoring: split, inline, all-input. Foldback, communications, external inputs. Channel functions: mic inputs, line inputs, insert point, equalization, dynamics, auxiliary sends, pan, mute and mute groups, PFL/AFL/solo, fader. Mixing console automation. Digital mixing consoles. Comparison between digital and analog consoles. Assignable consoles .Automation and recall. Mixing procedures and techniques.

    Module 11: Mastering
    The need for mastering. Correction of faults. Mastering for vinyl. Improvement of stereo mixes. Matching tracks for albums and compilations. Subjective loudness and the 'loudness war'. Equalization. Compression. Limiters and look-ahead limiters. Multi-band compression. Intersample peaks.

    Module 12: Marketing Your Music and Recording Services
    Industry roles: record producer, recording engineer, A&R manager, studio manager, session musician, arranger, programmer. Industries: music, recording, record labels, broadcasting, radio, television, film, events, the Internet. Pitching and promoting your services as an artist, engineer or producer. Showreel guidance.
     
  2. almodoniar

    almodoniar New Member

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    That would be amazing to have !!!!
     
  3. ak47high

    ak47high Elite

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    Done.

    Hidden Content:
    **Hidden Content: You must click 'Like' before you can see the hidden data contained here.**
     
    Last edited: Sep 23, 2018
    srafid, barhoomob, vino and 46 others like this.
  4. anonzzz

    anonzzz Moderator

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    @ak47high Wow, thank you so much! You are amazing!!
     
  5. almodoniar

    almodoniar New Member

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    So nice! :) thanks!!!
     
  6. Jack Smith

    Jack Smith Moderator

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    Thanks for the upload!
    Could you make a proper thread in the Audio section? Thanks in advance.
     
    sonichoc likes this.
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