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3 Books on Printing by Tim Rudman

Discussion in 'Photo eBooks' started by dzinetokyo, 24 Oct 2024.

  1. dzinetokyo

    dzinetokyo Skilled

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    スクリーンショット 2024-10-24 14.18.48.png I came across these 3 pdfs on printing for photographers by Tim Rudman from the 90s in my web travels. Though the scans are mediocre (probably from archive.org) and the material is dated, it may be an interesting addition to your e-library. You never know what you will find in the pages.

    The Photographer's Master Printing Course offers the enthusiastic printer and the complete beginner alike the key to creating perfect prints that combine technical assurance with true self-expression. Ranging from the basics of equipping a darkroom to advanced skills such as lith printing, toning and multiple printing, this complete volume is on the recommended book list of the Royal Photographic Society's Visual Arts Panel.

    The Master Photographer's Lith Printing Course: A Definitive Guide to Creative Lith Printing "The intrinsic beauty and creative potential of the lith printing process is accessible to anyone who has access to a darkroom. This technique requires only special developers that are readily available and cost no more than conventional materials. This is the first step-by-step book on this exciting approach to print making"--Back cover

    The Photographer's Toning Book: The Definitive Guide This extensively illustrated and eminently practical book describes both entry-level and advanced toning techniques for the creative photographer and printer. A chapter is devoted to each toner, allowing readers to enter at the level appropriate to their experience and to then develop their skills as far as they want to. In the author's words, "This is a book to grow into rather than out of. "Using a system of First Steps, Second Steps, and Further Steps, the normal use of simple 'off-the-shelf" toning kits is explained and then developed further by exploring the more advanced and less familiar techniques for which they may be employed. Each theme is expanded to include instructions and formulae for homemade toners that both save money and further expand the reader's creative options. Processes and techniques described include the use of all common and less common toners, singly and in combination, selective toning, archival and negative toning, simple and advanced uses of bleaches and developers, dyes and the use of less conventional materials, such as tea and coffee. An invaluable reference, frequently asked questions, formulas, and a how-to section are included.

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  2. dzinetokyo

    dzinetokyo Skilled

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    @sofaking19999 , Thanks for the "like", I noted the link was expired so it is now refreshed.
     
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  3. jmgcg1

    jmgcg1 Master

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    Thank you, reminds me of the time I spent on darkroom printing. Lots of clothes trashed with satins from chemicals hehehe
     
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  4. dzinetokyo

    dzinetokyo Skilled

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    @jmgcg1 , My buddy spent so much time with silver, he developed an allergy and then moved on to platinum printing. Now at in his 70s, he says that he is developing a similar allergy, which luckily will save him money.
     
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  5. jmgcg1

    jmgcg1 Master

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    Thankfully, I never had allergies to silver or the chemicals used in developing, but I had a classmate who couldn't put her hands in the developing tanks
    to take out the prints. After a week of classes, she noticed that the developer was causing sores on her fingers. We would go there to put the paper in, and she would shake the developing tanks
    I miss those days. There was more interaction between people. We were all in the darkroom developing film or paper. Now we're alone in front of a screen.
     
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  6. dzinetokyo

    dzinetokyo Skilled

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    @jmgcg1 I must be getting old. I find the use of AI to "create" images, the many books on how to use prompts, etc. somehow not photography. I was talking with my buddy mentioned above who apprenticed under Ansel just before his passing, and he would share the effort he made to scout a sight, the planning and waiting for the right light and the platinum lost in unsatisfactory print attempts. Even with the new digital cameras, I feel I am cheating. I fool myself with the optical viewfinder and analog dials of the FF X100.

    PS.... "Interaction with people" in the process of making a photograph. Hooray!
     
  7. jmgcg1

    jmgcg1 Master

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    We don't get old, we just level up, more lives, more skills, and better weapons, hahaha.

    I'm 60, and I still play PlayStation and enjoy things like a kid.

    At the school where I studied photography, we read the three books by Ansel Adams, and I had the pleasure of calibrating two films with the zone system. One of my teachers had a densitometer, and I measured the film. I did two calibrations, one for an enlarger with hard light and another for a diffuser, just as Ansel and It was fun.
    Did I use ZS like Ansel and Fred....nop never but It's a great system to teach people how to read the light

    PS: For those who don't know, the zone system was not developed exclusively by Ansel Adams; there was another person, Fred Archer, just as it wasn't only Neil Armstrong who went to the moon.
     
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