Request KelbyOne - Dan Margulis - There Are No Bad Originals (Series 2 of 2)

https://members.kelbyone.com/course/margulis_no_bad_originals2/

There Are No Bad Originals, Part 2

In the second part of this series, Dan Margulis works through a new set of images while demonstrating his methods for color correction. Dan moves images into and out of the LAB color space, he uses his Man from Mars method, employs channels as layer masks, and makes sharpening adjustments using filters. Throughout the course, Dan urges viewers to question what constitutes a bad image and which version of an image is truly the original. Find out how to improve the color quality of your digital images by following along with this course.

LESSON 1: Introduction (free course preview)
Dan discusses what he will be covering in the course.

LESSON 2: Glaciers
Getting rid of a blue color cast

LESSON 3: Airline Terminal
Boost the colors in this grey picture using LAB color space adjustments

LESSON 4: How to Color Correct
Dan would much prefer to have an image that is too colorful as opposed to working with one that does not have enough color.

LESSON 5: Always Compare to the Original
It is important when doing color correction to not take colors to the extreme

LESSON 6: Group Photo Just After Sunset
In this lesson, Dan adjusts the color on a very dark photo that was taken without much ambient light.

LESSON 7: Blue Moonlight
Working with a photo of a ballet dancer under blue lights

LESSON 8: Big Casts
Using curves to get rid of a big color cast and then applying a layer mask.

LESSON 9: Knees
Getting rid of red spots from the skin on the knees, legs and feet

LESSON 10: Greens
Using the Man from Mars method to correct some images of a flower.

LESSON 11: Colorful Salad
This complex correction involves isolating a variety of colors found in this studio shot.

LESSON 12: Seaside
This ocean image shows strong highlight detail which needs contrast.

LESSON 13: Clouds
Bringing contrast to the clouds in the sky, while still maintaining balance with the trees, and the building in the foreground.

LESSON 14: Intense Reds
This intense color has blocked out all of the detail in the shot.

LESSON 15: Raw vs. JPEG
Comparing the Raw version with the JPEG version.

LESSON 16: Which is the Original?
Is the RAW file the real original?

LESSON 17: Final Lesson
Trying to bring back the detail in petro glyphs that have been bleached out.