LensWork Bonus Editions (#022 October 2025 Added)

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LensWork Bonus Editions #014 - February 2025

The Edge by Wayne Levin
While this is the most recent photographic project of mine, its roots stem from my earliest underwater work. While photographing,I am in an environment of motion. I am within the surge of water with limited control of my movements, forcing me to be very aware of exactly where I am relative to the ocean’s action and the reef.

Wayne Levin
Honaunau, Hawaii
2025

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LensWork Bonus Editions #015 - March 2025

Deja View by David Cummings
It is a great joy to go to new places and see new things. Travel opens a world of novelty and excitement. Sometimes when looking through the viewfinder and composing a photograph, I say, “Wait. I’ve seen this before.” It may be the subject itself, or the arrangement of elements in the frame. Somehow there is a new image that matches one made years ago across the world.

David Cummings
Mentone, Alabama
2025

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LensWork Bonus Editions #016 - April 2025

The Return of the Lake by Steve Dzerigian
Tulare lake in the San Joaquin Valley of California was once the largest body of water west of the Mississippi. Diversion, land and water use, plus many drought years resulted in it virtually disappearing. With a very wet year coupled with its great Sierra snowpack melting rapidly, the lake returned in a major way for a while in 2023.

Steve Dzerigian
Fresno, California
2025

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LensWork Bonus Editions #017 - May 2025

Alone Together by Jerry Russo
The great photographer, Walker Evans, shot photographs of people on the New York City subway system between 1938 and 1941 using a camera painted black and hidden in his coat. Thanks to the iPhone, I am attempting to follow in Evans footsteps by photographing people on the Massachusetts Bay Transportation Authority (MBTA) buses and subway trains since 2013.

Jerry Russo
Boston, Massachusetts
2025

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LensWork Bonus Editions #018 - June 2025

Traversing Eden
Forty-Five Years in the American Southwest
by William Fuller
Editor’s Introduction:

William Fuller has spent forty-five years criss-crossing the Southwest with a 4x5 camera. The images in this PDF represent many of his best, covering thirty-seven of those years. We are delighted to share this life-time of exploration and image making from one of the masters of the southwest.

William Fuller
Payson, Arizona
2025

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LensWork Bonus Editions #019 - July 2025

The American West Lives On
by Alex Morley

"I grew up in Wyoming, and although I was never a real cowboy, I have always had a fascination with horses, the cowboy lifestyle, and ranching. Most of these images are from western North Dakota on my wife’s relatives’ working ranches, and some from Oregon where we now live. They are glimpses into real life. None of these were posed situations or set-ups for photography workshops. My images are a story of cattle roundups, branding, a cattle auction, and then the rodeo for fun."

Alex Morley
Creswell, Oregon
2025

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LensWork Bonus Editions #020 - August 2025

Mystery of the Canyons
by Joseph Kayne

"This is a lifelong project of the canyon dwellers of the Colorado Plateau. Starting in 1992, hiking with a large format camera, I sought to explore and document the ancient sites and rock art of the ancestral puebloans (Anasazi) and prior residents."

Joseph Kayne
Evanston, Illinois
2025

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LensWork Bonus Editions #021 - September 2025

Urban Trees of Atlanta
by Peter Essick

"Old, urban trees in Atlanta, Georgia are remnants of the Piedmont forest that once spread across the East coast. These trees have survived the rapid development in the region. Recent research has shown that trees react to their environment and “sleep” by relaxing their limbs at night. I photographed many species of trees at night near my home in Atlanta to document how these trees live in their urban setting."

Peter Essick
Stone Mountain, Georgia
2025

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LensWork Bonus Editions #022 - October 2025

Infinitesimal Stones, Soon Altered
by Mary Schafer
I liked the associations of evanescent earth writing, sand time ticking through the hourglass, etching in infinitesimal stones that is soon altered. Eerie images, black water chaos writing suggestive forms, solid forms, then all becomes formless again.

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