More info here: https://ravengrade.com/kharmaluts/ The Kharma 35mm print film LUTs are creative Look LUTs based on accurate film emulations generated with true film spectral and colorimetry data from specific film stocks.Trusted by professional colorists, and used on numerous studio productions. TRUE FILM DATA The 9 Kharma LUTs are generated with true film spectral and colorimetry data from specific film stocks and emulates Kodak Vision3 5203, Kodachrome 5268, Fuji Eterna, Ektachrome 7294, Fuji Eterna SR12, Kodak Vision3 2383, Eastman EXT Color Print Film 2386 and Fuji 3510. Created in close interaction with the industry and renowned image scientists. USE IN-CAMERA The Kharma LUTs are currently available in .CUBE-format for ARRI cameras (Log C3) and RED cameras (RedWideGamutRGB, RED Log3G10) The middle gray values of the LUTs are aligning with the values of the camera (color space) they are made for, in order to match original exposure. This is necessary for judging exposure on set, and to ensure the entire dynamic range of the scene will be captured. While the middle gray values are aligned, the middle gray colors are intentionally not neutral to preserve the nature of how film impact the color values. GRADING WITH KHARMA LUTS All color grading and editing applications that supports LUTs, including DaVinci Resolve, Baselight, Premiere Pro, Avid and Final Cut can use Kharma LUTs. Normally, true film print emulations require cineon transforms, gamut compressions, matrixes and various adjustments to be used (properly) for grading, but this is all baked into the Kharma LUTs. Hidden Content: **Hidden Content: Content of this hidden block can only be seen by Gold Members(click for instructions) after they click 'Like'.**
